Nemesis isn't the only eighties weirdie making a comeback this week. In Judge Dredd, we learn that during the recent Doomsday Scenario, a bunch of prisoners went missing from an iso-cube, among them the nasty alien bounty hunter Trapper Hag. He'd been seen just once before, in a three-part storyline from 1983, illustrated by Steve Dillon. Now, like "rogue's gallery" villains are meant to do, Hag goes looking for revenge instead of getting out of town like any sensible bad guy. In this two-parter illustrated by Siku, Hag gets the better of Dredd, plans to kill him, gloats too much and gets hoist on his own petard again. Following the intricate, twists-and-turns, multiple perspective plotting of "The Doomsday Scenario," this is a little bit by-the-numbers and, frankly, unnecessary.
At any rate, the rest of the current lineup is the same as it was during the last installment: Downlode Tales by Dan Abnett and Simon Davis, Nikolai Dante in "The Courtship of Jena Makarov" by Robbie Morrison and Simon Fraser, and more of Devlin Waugh by John Smith and Steve Yeowell. Of these, Nemesis, Dante and Devlin are all available in collected editions from Rebellion.
In other news, Rebellion recently released the fifth in a series of slim ABC Warriors collections, this one reprinting the 15-part "Return to Mars" serials under the title The Third Element. We haven't made it to this point in the Thrillpowered Thursday reread, and so I'll save the really juicy-but-sad behind-the-scenes drama that fueled this unhappy storyline until then, and just focus on the book itself.
To be honest, the previous two ABC Warriors books were a little underwhelming for one reason or another, and this one really gives off a glow of failed promise and expectations. When it works, it works incredibly well: the return of Mike McMahon to these characters after twenty-odd years and heaven-only-knows how many style changes is an absolutely fascinating curiosity, and Henry Flint, currently illustrating a Haunted Tank miniseries for Vertigo, turns in some terrific artwork. But Boo Cook's first pro job is frankly a mess, miles removed from what he'd later prove capable of creating, and Liam Sharp apparently abandoned all of his professional tools in favor of two Sharpies and a Bic ballpoint.
Pat Mills' script is almost enough to hold it together, because he's once again running with lunatic ideas and throwing lots of them at the wall in furious sequence. But everything that does catch your imagination here is abandoned too quickly, and each three-episode storyline would have greatly benefitted from an extra week to breathe. On the other hand, three episodes for each piece is somewhat appropriate for a story about three-legged tripod critters on Mars, I suppose.
Next week, a look at the finale to Downlode Tales as we begin closing out the 1990s.
(Originally posted December 11, 2008 at hipsterdad's LiveJournal.)
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