Showing posts with label pulp sci-fi. Show all posts
Showing posts with label pulp sci-fi. Show all posts

Thursday, November 20, 2008

76. It's Tough to be a Girl

Thrillpowered Thursday is a weekly look at the world of 2000 AD. I'm rereading my collection of 2000 AD and the Judge Dredd Megazine, one issue an evening, and once each week for the foreseeable future, I'll see what I'm inspired to write.

If the only measure of success in 2000 AD was "how often Tharg reprints your work," and mercifully it is not, then Nigel Long might get the booby prize for least successful of all of Tharg's script droids. Writing under the oddball pseudonym "Kek-W," he worked for the House of Tharg for about a decade, but try as I might, I cannot think of a single story of Long's that has ever been reprinted, collected, dusted off or even recommissioned for a second series, unless it was in one of those godawful American-sized reprints in the mid-90s. And that's a shame; when garbage like the Michael Fleisher Rogue Trooper and Harlem Heroes was able to find new homes outside of the weekly, there was no reason for Long's whimsical and quirky stories to be ignored. Of course, I'm writing this at work, and I could go home and look him up on Barney and have a face-palm moment when I realize I've overlooked something*, but the promising Kid CyBorg was nowhere as awful as its reputation suggests, and the strange little throwback story Second City Blues, his last 2000 AD offering, from a couple of years ago, was charming if unnecessary, and he also contributed several good Vector 13 and Pulp Sci-Fi one-offs.

In fact, Long did the impossible in the spring of '96 and took Mark Millar's completely brain-dead Canon Fodder into a second series which was miles better than the first (see My Dinner With Einstein), but, bafflingly, it was the first series which was reprinted as a bonus "graphic novel" bagged free with the current Megazine, and Long's second, superior, offering was left on the shelf.

Long also gave us Rose O'Rion, the final episode of which appears in prog 1158 (August 1999). Now this really was a shame, and an awful missed opportunity.



Rose first appeared in a June 1998 Pulp Sci-Fi episode called "False Profits," which was not at all bad. But her second appearance, in December's "Hot Rocks," felt like the pilot for what should have been a fantastic, over-the-top, downright wonderful series. Rose is a thief and treasure hunter in the most delightfully pulptastic, goofball world of throwback sci-fi, where thousands of planets are just a few days' warpflight away, and each one of those wild worlds was once the home of a thriving civilization which was lost in some cosmic calamity, except for one lone relic of unimaginable power and value. Cherry-picking the universe of its lost treasures is the work of greedy, backstabbing, improvising brigands, tough guys and sassy broads, who forge alliances at the card tables in backwater casinos.

It's one part Raiders of the Lost Ark and one part Maverick and eight parts every schlocky '50s potboiler you read when you were twelve. "Hot Rocks" demanded a series. Unfortunately, the series we got was really, really dull, and nowhere as fun as the lively universe suggested in the Pulp Sci-Fi one-offs. It's full of big, boring galactic threats, and the dialogue sounds wrong. At one cliffhanger point, some giant alien with a big manly gun shouts "Intruder, identify yourself! Your actions have been designated hostile... prepare for immediate physical disincorporation!" This might just be the worst pair of sentences ever written. Just try speaking them out loud!

Rose never gets the chance to redeem herself after this misfire. The series is quietly shelved, and a promising character and universe derailed. Periodically, fans would mention they'd like to see her again, but the moment passed and Rose passed into obscurity.



Incidentally, the eye-catching cover to this issue by Steve Cook announces the second phase of the lengthy Devlin Waugh storyline and introduces several new characters, including the mysterious and wealthy actress Anji Kapoor, in another episode by John Smith and Steve Yeowell. Other stories in this prog include more of Judge Dredd's "Doomsday Scenario" by John Wagner and Colin Wilson, Downlode Tales by Dan Abnett and Chris Weston, and Mazeworld by Alan Grant and Arthur Ranson.

*note: I looked up Long's credits at Barney, and see that I didn't overlook anything.

Thrillpowered Thursday will be taking a week's break while my young co-readers take a Thanksgiving vacation in Kentucky. See you in December for more Dredd, and a graphic novel review or two.

(Originally posted Nov. 20 2008 at hipsterdad's LiveJournal.)

Thursday, August 7, 2008

61. Pulp Science Fiction

Thrillpowered Thursday is a weekly look at the world of 2000 AD. I'm rereading my collection of 2000 AD and the Judge Dredd Megazine, one issue an evening, and once each week for the foreseeable future, I'll see what I'm inspired to write. Although, I think I have decided to write a little less with these and let what images I've selected speak a little more for themselves.

Did you miss me? The Hipster Kids have stampeded and rampaged across the Southeast this summer and come back to find a stepmother-to-be all moved in and the legendary Hipster Dad British Comic Archive nicely arranged and accessible on two wonderful shelving units in the guest room. Having it all displayed in nice, browsable milk crates actually makes me want to start tracking down the remaining 1978-82 issues of Battle Picture Weekly that I'm missing. That reminds me, I could use the help of my readers in obtaining ten issues of the Dredd Megazine...

We resume the Big Reread in the spring of 1998. David Bishop is the editor, Andy Diggle is his assistant, and the Galaxy's Greatest Comic is launching a new series of one-off thrills to complement the ongoing series Judge Dredd, Sinister Dexter, Missionary Man and Slaine. This is called, properly, Pulp Sci-Fi. The superior-sounding, unabbreviated title is only used internally and in advertising, and Henry Flint contributed this cute cover which evokes Uma Thurman's role in the Quentin Tarantino film which gave the series its name. Prog 1096 features the first of four Pulp Sci-Fi tales which make up its first series. The feature will appear off and on for the next couple of years, whenever there's a hole in the scheduling. It replaces the Men in Black-led Vector 13, although there's still one more of those to see print down the line, before in turn being replaced by the return of Tharg's Future Shocks and Tharg's Terror Tales.



At the time of writing, the kids have read the first three stories and they agree that the first of these, "Grunts," is their favorite. It's by the Durham Red team of Dan Abnett and Mark Harrison and, to be honest, it's a little reminiscent of the famous Star Wars fan film Troops. But, well, the kids haven't seen Troops, and nor, mercifully, have they seen Fox's Cops to my knowledge, so this struck my son as being incredibly original and funny.



Pulp Sci-Fi is perhaps best remembered for launching a wonderful character named Rose O'Rion, a spacefaring cat burglar and con artist created by Nigel "Kek-W" Long and Dylan Teague, in a pair of really clever one-off episodes. Rose got a highly anticipated series a couple of years down the road which disappointed practically everybody, but the one-offs are very good. Quite a few good one-offs appeared under the Pulp Sci-Fi banner, but none of them have ever been reprinted. Speaking of which, I don't believe any of the stories from this prog have made their way to a collected edition. The Sinister Dexter episode by Abnett and Ben Willsher was skipped over for their third book Slay Per View, in 2005.

Next time, Jena Makarov meets the wife that Nikolai Dante never told her about, and Nikolai meets the half-brother nobody ever told him about...




Help This Blog! I am missing ten issues of the Judge Dredd Megazine, one that I never got and nine that were ruined by a flood in 2005 and had to be pitched. These are all from vol. 3, cover dates 1999-2001, and are # 52 and # 69-77. I'd like to have new copies for myself and the kids to read during this little project. If you're able to provide good copies, or perhaps scan the non-reprint episodes for us, please drop me a line! I'd be happy to buy them from you, or trade from my big stack of duplicate progs or trade paperback collections.

(Originally posted August 7 '08 at Hipsterdad's LiveJournal.)